○ [pt op tr] 예술작품 사진 공양, 나무불, 나무법, 나무승 John Singer Sargent-palms-1917
Artist: John Singer Sargent
Sargent practiced his own form of Realism, which made brilliant references to Velázquez, Van Dyck, and Gainsborough. His seemingly effortless facility for paraphrasing the masters in a contemporary fashion led to a stream of commissioned portraits of remarkable virtuosity (Arsène Vigeant, 1885, Musées de Metz; Mr. and Mrs. Isaac Newton Phelps-Stokes, 1897, Metropolitan Museum of Art, New York) and earned Sargent the moniker, "the Van Dyck of our times."[107][...이하 줄임...] from https://en.wikipedia.org/wiki/John_Singer_Sargent Title : palms-1917 Info
https://commons.wikimedia.org/wiki/File:Cheverny24.jpg Description Château de Cheverny, Loir-et-Cher, France - gardens, yellow rose Date 14 May 2007 Source Own work Author Manfred Heyde Licensing[edit] I, the copyright holder of this work, hereby publish it under the following licenses: GNU head Permission is granted to copy, distribute and/or modify this document under the terms of the GNU Free Documentation License, Version 1.2 or any later version published by the Free Software Foundation; with no Invariant Sections, no Front-Cover Texts, and no Back-Cover Texts. A copy of the license is included in the section entitled GNU Free Documentation License. w:en:Creative Commons attribution share alike This file is licensed under the Creative Commons Attribution-Share Alike 4.0 International, 3.0 Unported, 2.5 Generic, 2.0 Generic and 1.0 Generic license. You are free: to share – to copy, distribute and transmit the work to remix – to adapt the work Under the following conditions: attribution ж https://upload.wikimedia.org/wikipedia/commons/d/dc/Cheverny24.jpg ▩ mus3fl--Cheverny24.jpg ● [pt op tr] fr
○ [pt op tr] 아름다운 사진 공양, 나무불, 나무법, 나무승 Suzhou_Street_in_the_Summer_Palace
https://en.wikipedia.org/wiki/File:Suzhou_Street_in_the_Summer_Palace.JPG Description English: Suzhou Street in the Summer Palace (Beijing, China). Date 3 July 2012, 11:13:54 Source Own work Author Tojan76 Permission & Licensing : Wikipedia ● [pt op tr] fr
♥Romania ,Constanța
○ [pt op tr] 아름다운 풍경사진 공양, 나무불, 나무법, 나무승 With the image 'Google Earth & Map data: Google, DigitalGlobe'
콘 스탄 차 ( 루마니아어 발음 : [konstant͡sa] ( 듣기 )이 소리에 대하여 , 그리스어 : Κωνστάντζα 또는 Κωνστάντια , Konstantia , 불가리아어 : Кюстенджа 또는 Констанца , 터키어 : Köstence ) 역사적으로 알려진 Tomis ( 고대 그리스어 : Τόμις를 ) [3] 지속적으로 거주하는 가장 오래된 루마니아의 도시 . BC 600 년 경에 설립되었습니다. 이 도시는 루마니아 의 Dobruja 지역에 위치하고 있습니다 .검은 바다 해안. 그것은 Constanţa County 의 수도 이자이 지역에서 가장 큰 도시입니다. ▶▶▶ [참조링크7]en.wikipedia.org
루마니아에서 가장 큰 도시 중 하나 인 Constanţa는 이제 중요한 문화 및 경제 중심지로 고고 학적 보물과 구시 가지 중심의 분위기를 탐험해볼 가치가 있습니다. 그것의 역사적인 기념물, 고대 폐허, 웅대 한 카지노, 박물관 및 상점 및 바닷가 행락지에 근접은 그것에게 흑해 연안 관광 사업의 초점을 만든다. 야외 레스토랑, 나이트 클럽 및 카바레에서는 다양한 엔터테인먼트를 제공합니다. 지역 명소로는 전통 마을, 포도원, 고대 기념물 및 유럽에서 가장 잘 보존 된 델타 다뉴브 델타 가 있습니다. ▶▶▶ [참조링크8]en.wikipedia.org
Română: Fotografie realizata prin procedeul HDR (High Dynamic Range) din 3 cadre cu expunere diferita. Date 5 August 2011 Source Own work Author Djphazer Permission & Licensing : Wikipedia
Română: Situl arheologic „Orașul antic Tomis” Monument istoric.svg This is a photo of a historic monument in județul Constanța, classified with number CT-I-s-A-02553 Date 4 October 2015, 16:14:56 Source Own work Author Postoiu Roxana Camera location 44° 10′ 16.79″ N, 28° 39′ 39.38″ E Permission & Licensing : Wikipedia
English: The statue of Ovid in front of the National History Museum in Constantza, Romania. Monument istoric.svg This is a photo of a historic monument in județul Constanța, classified with number CT-III-m-A-02928 Monument istoric.svg This is a photo of a historic monument in județul Constanța, classified with number CT-II-m-A-02831 Date 27 August 2009, 11:22 Source Statue of Ovid and National History Museum in Constantza Author Alexandru Pănoiu from Bucharest, Romania Camera location 44° 10′ 27.6″ N, 28° 39′ 30.76″ E Permission & Licensing : Wikipedia
The road built by the French engineers, from the Danube to the Black Sea. Port of Kustendje. Source Revista de istorie militară. 3-4/2006. p. 22 Date 1856 Author Camille Allard Permission & Licensing : Wikipedia
Română: Vedere generala spre est (1909), din minaretul Moscheei; in dreapta se vede Casa cu Lei, iar in ultimul plan se pot distinge Catedrala (in centru) si Cazinoul Comunal (in stanga). Deutsch: Übersicht Blick Richtung Osten (1909), Minarett der Moschee; Rechts abgebildete Casa cu Lei, im Hintergrund Kathedrale (Mitte) und Casino (links) Date 1909 Source http://roconstanta.tripod.com/vechi/vechi.html Author Unknown Permission & Licensing : Wikipedia
English: Constanța County Hall during the interbelic period, illustrated in an early 20th century picture. The historical building was built between 1903-1904 and today it hosts the Military House of Constanța. Română: Prefectura județului Constanța din perioada interbelică, într-o ilustrată de la începutul secolului al XX-lea. Clădirea-monument istoric, ridicată între anii 1903-1904, găzduiește în prezent Cercul Militar Constanța. Monument istoric.svg This is a photo of a historic monument in județul Constanța, classified with number CT-II-m-A-02856 Date Early 20th century. Source http://www.monumenteromania.ro/monumente/resized/86242a028ef58ed6251d2d5f8b1fde2b.jpg Author Unknown author. The image was uploaded by Musichistory2009. Permission & Licensing : Wikipedia
Konstanza, Siebelfähren im Hafen Info non-talk.svg Archive description Description provided by the archive when the original description is incomplete or wrong. You can help by reporting errors and typos at Commons:Bundesarchiv/Error reports. Rumänien, Konstanza (Constanta).- Siebelfähren im Hafen Depicted place Konstanza Date July 1941 Photographer [show] Horst Grund (1915–2001) Blue pencil.svg wikidata:Q78263 Institution [show] German Federal Archives Blue pencil.svg wikidata:Q685753 Grund, Horst - Bildbestand (N 1603 Bild) Accession number N 1603 Bild-027 Permission & Licensing : Wikipedia
English: Mamaia Beach in September 2013 (seen from the cable car) Română: Plaja din Mamaia în septembrie 2013 (văzută din telegondolă) Deutsch: Der Strand von Mamaia (RO) von der Seilbahn aus gesehen. Esperanto: La plaĝo de Mamaia (RO) vidata ekde la telfero. Date 7 September 2013, 14:36:39 Source Own work Author Razvan Socol Camera location 44° 13′ 56.64″ N, 28° 37′ 35.76″ E Permission & Licensing : Wikipedia
English: The "thinkers" of Hamangia (Chalcolithic culture) 800x634 (111 KB) Español: "Los pensadores" de Hamangia, V milenio a.C. Français : les "penseurs" de Hamangia (civilisation du Chalcolithique) 800x634 (111 KB) Date 1 September 2013, 14:31:28 Source Own work Author CristianChirita Permission & Licensing : Wikipedia
Română: Cazinoul din Constanta Monument istoric.svg This is a photo of a historic monument in județul Constanța, classified with number CT-II-m-A-02801 Date 29 August 2014, 06:31:35 Source Own work Author Adrian Cadar Permission & Licensing : Wikipedia
Description Monument istoric.svg This is a photo of a historic monument in județul Constanța, classified with number CT-II-m-A-02798 Date 29 August 2010 Source Own work Author ViperDex Permission & Licensing : Wikipedia
Deutsch: Orthodoxe Kathedrale Peter und Paul in Konstanza Esperanto: Ortodoksa katedralo de s-taj Petro kaj Paŭlo en Konstanco (RO). Română: Catedrala Sfinții Petru și Pavel din Constanța. Date 15 September 2014 Source Self-photographed Author Aisano Camera location 44° 10′ 15″ N, 28° 39′ 39.8″ E Permission & Licensing : Wikipedia
Polski: Latarnia morska w Konstancy English: Lighthouse in Constanţa Date 8 September 2009 Source Own work Author Krzysztof Dudzik (User:ToSter) Camera location 44° 10′ 19.4″ N, 28° 39′ 54.53″ Permission & Licensing : Wikipedia
English: Hünkar Mosque (Hunchiar Mosque, Geamia Hunchiar) — in Constanța, coastal Romania. The mosque was built between 1867-1868 by Ottoman Sultan Abdülaziz for Turks who were forced to leave Crimea after the Crimean War (1853–56) and settled in Constanța. The mosque has a 24m high minaret and was subject to a restoration in 1945 and 1992. Monument istoric.svg This is a photo of a historic monument in județul Constanța, classified with number CT-II-m-A-02851 Date 26 September 2011 Source Own work Author Htkava Permission & Licensing : Wikipedia
With the image 'Google Earth & Map data: Google, DigitalGlobe'
【범】kāraṇa-hetu 6인(因)의 하나. 모든 만물이 날 적에, 그 자체를 제하고 다른 모든 것들이 능작인(能作因)이 되는 것을 말함. 이것에는 여력(與力)과 부장(不障)의 2종이 있다. 여력능작인이란 만물이 생기는데 힘을 주는 것이므로 직접 결과를 내는 힘은 없으나, 간접적으로 나게 하는 힘이 있는 것을 말한다. 부장능작인이란 결과가 생기는 것을 돕지는 못하나 그 생기는 것을 방해하지는 않는다는 뜻.
답 후보
● 능작인(能作因)
다문부(多聞部)
다생(多生)
단공삼매(但空三昧)
단상이견(斷常二見)
■ 영-중-일-범-팔-불어 관련-퀴즈 [wiki-bud]Wonhyo [san-chn]
anopalambha 無著 [san-eng]
aśubhaṃ $ 범어 evil [pali-chn]
pātidesanīya 波羅提提舍尼 [pal-eng] [Eng-Ch-Eng]
俱生起 (1) Inherently arisen; inborn, innate. (2) Especially refers to innate afflictions 俱生煩惱 that are present in one's mind due to the karma of prior existences. Synonymous with 任運起. (3) The innate afflictions are said to be eradicated in the course of the Path of Cultivation 修道. [Muller-jpn-Eng]
因人 インニン (term) causal stage [Glossary_of_Buddhism-Eng]
CAUSE IS RESULT, RESULT IS CAUSE☞ Syn: Simultaneity of Cause and Effect. See also: Cause and Effect. High level teaching of such Mahayana sutras as the Avatamsaka Sutra… “The cause has the result as its cause, while the result has the cause as its result. It is like planting seeds: the seeds produce fruit, the fruit produces seeds.” [TC / FAI, p.37] “Causes include the sea of results, the result penetrates through to the causal source.” [HH / FAS, 39 Vol.1, p.61] This concept from the Avatamsaka and other Mahayana sutras can be understood through the analogy of apple seeds (causes) leading to the apples of the future (results); the apples, in turn, contain within themselves the seeds of future trees and apples. In the same vein, sentient beings (causes) have the Buddha Nature within themselves, leading to Buddhahood (results); these Buddhas (results), in time, return to the world to rescue sentient beings (causes). Thus, cause and result are inseparable – cause is result, result is cause. As the sutras put it: “Causes encompass the sea of Results, and the Results extend back through the Causal sources.” Editor / Van Hien: 208-209 #1674
